Kennedy, Philip F., and Marina Warner, ed. 2013. Scheherazade's Children. Global Encounters with the Arabian Nights. New York and London: New York University Press.
Contents: pp. 1−24: Kennedy, Philip F., and Marina Warner. "Introduction"; 27−52: Ballaster, Ros. "The Sea-Born Tale. Eighteenth-Century English Translations of The Thousand and One Nights and the Lure of Elemental Diffference"; 53−69: Châtel, Laurent. "Re-Orienting William Beckford: Transmission, Translation, and Continuation of The Thousand and One Nights"; 70−85: Horta, Paulo Lemos. "The Collector of Worlds. Richard Burton, Cosmopolitan Translator of the Nights"; 89−107: Colla, Elliott: "The Porter and Portability. Figure and Narrative in the Nights"; 108−126: Doniger, Wendy. "The Rings of Budur and Qamar al-Zaman"; 127−142: Pearson, Roger. "White Magic. Voltaire and Galland's Mille et une nuits"; 143−153: Irwin, Robert. "The Arabian Nights and the Origins of the Western Novel"; 154−171: Horta, Paulo Lemos. "'A Covenant for Reconciliation'. Lane's Thousand and One Nights and Eliot's Daniel Deronda"; 172−194: Jullien, Dominique. "Translating Destiny. Hugo von Hofmannsthal's Tale of the 672nd Night"; 195−217: Kennedy, Philip F. "Borges and the Missing Pages of the Nights"; 218−242: Trumpener, Katie. "The Politics of Conversations. Denis Diderot, Elio Vittorini, Manuel Puig, Masaki Kobayashi, Vasily Grossman"; 243−262: Ghazoul, Ferial J. "Sindbad the Sailor: Textual, Visual, and Performative Interpretation"; 265−273: Sabbagh, Karl. "The Arabian Nights in British Pantomime"; 274−281: Yamanaka, Yuriko. "The Arabian Nights in Traditional Japanese Performing Arts"; 282−321: Jongus, Berta."'Nectar If You Taste and Go, Poison If You Stay'. Struggling with the Orient in Eighteenth-Century British Musical Theather"; 322−346: Kuti, Elizabeth. "Scheherazade, Bluebeard, and Theatrical Curiosity"; 347−361: Nishio, Tetsuo. "The Takarazuka Revue and the Fantasy of 'Arabia' in Japan"; 362−393: Thomas, Rosie. "Thieves of the Orient. The Arabian Nights in the Early Indian Cinema"; 395−400: Yunis, Alia. "Afterword. My Arabian Superheroine".